Over the past (U.S.) holiday weekend, the BBC ran a superb long-form article on their website about Edward de Vere as "Shakespeare."
It gave Oxfordians (such as your correspondent) ample opportunity to make our case and allowed orthodox scholars such as de Vere biographer Alan Nelson (Monstrous Adversary) and Oxford University English professor Emma Smith ample opportunity to say we're completely nuts.
This is, unfortunately, a microcosm of the state of the authorship debate today. We want to talk evidence, and they want to fling mud. And with the April publication of best-selling author James Shapiro's hatchet-job book Contested Will: Who Wrote Shakespeare?, it's probably only going to get worse.
Thankfully, the BBC correspondent also allowed the heretics ample opportunity to point this very fact out.
Michael Egan, editor of the journal The Oxfordian told the BBC's Dave Gilyeat "One of the most disturbing aspects of the whole debate is the way the anti-Stratfordians are silenced. There isn't any real attempt to confront the arguments. There's just a general mocking and ridiculing strategy -- what I call arguing by adjective... "ridiculous, absurd" and so on."
Smith made one of the most curious anti-Oxfordian arguments in the article, stating, "There seems to be absolutely no evidence that the Earl of Oxford was a literary genius and had the ability to write and that seems a much more important criterion for writing Shakespeare's works."
Wow, the hurdles have changed! Time used to be we were just kooks and booby-heads. Now we must adduce evidence that Edward de Vere was a literary genius.
No matter.
John Shahan, head of the Shakespeare Authorship Coalition responded to Smith with an email which Shahan has kindly given permission to excerpt here.
[Begin Shahan letter]
Four of [de Vere's] contemporaries -- Gabriel Harvey, William Webbe, the anonymous author of The Art of English Poesie (George Puttenham?) and Francis Meres -- all had high praise for Oxford's writing. Long after he died, in The Complete Gentleman (1622), Henry Peacham included Oxford on a list of six poets who had made Elizabeth's reign a "golden age" for poetry, while omitting "Shakespeare" from the list. You may dispute the evidence, but the evidence certainly exists.
Furthermore, modern behavioral science research on the nature of creativity and genius reveals that it is Oxford who has the characteristics typical of a great literary genius, not Stratford's Mr. Shakspere.
I [recently] wrote [a book review] (Shakespeare Oxford Newsletter, Fall 2001) of Origins of Genius: Darwinian Perspectives on Creativity by Dean Keith Simonton (Oxford University Press, 1999). The review outlines the developmental and character traits that Simonton and others found to be associated with genius, including literary genius. The Earl of Oxford matches the expected profile of a literary genius perfectly, while the Stratford man fits hardly at all. Mr. Shakspere's father did experience some "family reversal of fortune;" but nothing like what Oxford experienced, including being orphaned, which Shakspere was not. It is remarkable how clearly the research on genius points to Oxford, and away from Shakspere. Again, you may dispute the evidence, but the evidence certainly exists.
Simonton is one of the world's leading experts on creativity and genius, and a signer of the Declaration of Reasonable Doubt About the Identity of William Shakespeare (www.doubtaboutwill.org/declaration). Perhaps you could tell me, him, and the others above, why you say there is "absolutely no evidence" Oxford was a literary genius.
[End letter]
Last I heard, Smith hasn't replied.
UPDATE (Dec. 1): Dr. Smith did reply to her correspondent with a two sentence email. "Thanks for this. I think we will have to agree to disagree."
Monday, November 30, 2009
Monday, November 16, 2009
A brief tale's best for (almost) winter
It's been a busy couple weeks in the Shakespeare heresy world. I'm still playing catch up after the birth (Oct. 30) of a wonderful little boy in our household. So, free time being at a premium, best to just cut to the chase:
* German media has been awash with coverage of Kurt Kreiler's new book about Edward de Vere as the man behind the "Shakespeare" mask. Both national German radio and print media (Der Spiegel) have weighed in and presented Kreiler's Oxfordian arguments seriously and authoritatively. Keep up the pressure!
* The Shakespeare Authorship Coalition announced earlier today that U.S. Supreme Court Justice John Paul Stevens and Sandra Day O'Connor (ret.) have signed the "Declaration of Reasonable Doubt about the identity of William Shakespeare." Keep up the pressure!
* A new Internet-based Shakespeare authorship studies scholarly journal has also just launched: Brief Chronicles. I haven't yet had a chance to go through the debut issue in detail, but the list of authors, topics and editors is impressive. Check it out -- and if you like, please leave a tip in their tip jar. (Scroll down)
* German media has been awash with coverage of Kurt Kreiler's new book about Edward de Vere as the man behind the "Shakespeare" mask. Both national German radio and print media (Der Spiegel) have weighed in and presented Kreiler's Oxfordian arguments seriously and authoritatively. Keep up the pressure!
* The Shakespeare Authorship Coalition announced earlier today that U.S. Supreme Court Justice John Paul Stevens and Sandra Day O'Connor (ret.) have signed the "Declaration of Reasonable Doubt about the identity of William Shakespeare." Keep up the pressure!
* A new Internet-based Shakespeare authorship studies scholarly journal has also just launched: Brief Chronicles. I haven't yet had a chance to go through the debut issue in detail, but the list of authors, topics and editors is impressive. Check it out -- and if you like, please leave a tip in their tip jar. (Scroll down)
Saturday, October 10, 2009
News from Germany (Zwei) -- by way of Hollywood
.jpg)
The other cup of news today comes via the pop culture website Collider.com, which features an interview with (German native, now Hollywood based) director Roland Emmerich (Independence Day, The Patriot, 2012).
There have been murmurs in Oxfordian circles for years about Emmerich's desire to make a biopic of Edward de Vere as "Shakespeare." Now, according to this new interview, principal photography on Emmerich's de Vere pic Anonymous begins, Emmerich says, March 22. Interview excerpt after the jump
Quoth Mr. Emmerich:
It’s been eight years I’ve been trying to do this project. It was always supposed to be my next movie but this time I’m really doing it because I’m already set to shoot on March 22nd and I’m the casting process right now which for me is the most kind of nerve-racking because you have to make decisions. And I start shooting in four or five days the first plates in England...
It’s about how it came to be that William Shakespeare was not the author of his plays. It’s not [Christopher] Marlowe, it’s [Edward] de Vere, the 17th Earl of Oxford. It’s kind of like a political thriller. It’s about who will succeed Elizabeth and the cause of that thriller, the Essex Rebellion, we take on, and we learn how the plays were written by somebody else. ...
Well it’s very well researched. The writer is John Orloff (”A Mighty Heart”) and he’s been working on the script for two years before I got involved and he did a really, really good job and I just discussed it with several actors who are very knowledgeable about that time and I’m really pleased how accurate it is. Naturally, for dramatic reasons you sometimes alter facts but it’s pretty well-researched.
[End interview excerpt]
I unfortunately don't have anything more to report other than the above. Full disclosure: I am unaffiliated with Anonymous -- and indeed will be posting something on this site soon about another project which does use "Shakespeare" By Another Name as its foundation.
Meantime... onward and upward to Mr. Emmerich as well.
News from Germany (Eins)

[UPDATED OCT. 23, AFTER JUMP]
Two posts today about news from Germany (or Germans working in the U.S.) -- First, German author Kurt Kreiler has just published a new Oxfordian book (Der Mann, der Shakespeare erfand: Edward de Vere, Earl of Oxford).
According to German correspondent Robert Detobel, writing for the Shakespeare-Oxford blog, Kreiler's tome has met with at least one favorable review, a translated excerpt (by Detobel) after the jump
This from the Rhineland Mercury:
In 1920 Looney found the needle in the haystack . . .
In Germany it was possible to be informed on de Vere’s war adventures, his politic quarrels, his engagement in the theatre … since 1995 when Walter Klier for the first time summarized Looney’s findings. Ten years later the US author Mark Anderson presented old and new “evidence“ and came to the conclusion that Shakespeare was “one of the most autobiographical authors that ever were“.
Now a new, comprehensive book has appeared from the pen of the long-standing German Shakespeare researcher Kurt Kreiler, a historical-biographical-stylistical analysis provided with new findings and concentrating on de Vere’s cultural tradition, his individuality and his poetic art. A homage, also suitable as initial reading, to the “master of poetical self-reflection“, the artist of love rhetorics, a soul-knowing tragedian and an illusionsless illusionist. Reasonable doubts that de Vere is Shakespeare are no longer possible. But no really good myth will ever proceed from thence: the man is too complicated, his life already too well investigated, not appropriate as projection surface. Good myths ought to be simple, incredible and homely.
[End of review]
To be clear, I haven't yet seen the book, nor would I be able to do much with it if I did. (My French is rusty, my German non-existent.) But with great notices like this, in such prominent German media, I'd certainly be curious to know what any German-speaking readers of this blog think about the book.
Onward and upward, Herr Kreiler!
UPDATE (Oct. 23): We now hear word of a second strong review in favor of Kreiler's book in the Swiss magazine Die Weltwoche. "A fascinating novel (?) of circumstantial evidence" is what the reviewer is calling this tome. ("mitreißender Indizienroman") The headline of the article, most of which unfortunately is behind a subscription wall, reads "Cover Name Shakespeare." ("Deckname Shakespeare")
[hat-tip to German correspondent H.W.]
Saturday, September 19, 2009
A Mystery Writer Ponders: Whodunnit?

Mystery novelist Ellis Goodman wrote a brief blog posting yesterday that summarizes his reasons for suspecting that Edward de Vere was the Bard.
Goodman homes in on Will Shakspere's last will and testament as reason aplenty to suspect something is very wrong with our traditional picture of "Shakespeare":
In addition, it is recognized his Will was poorly drawn, badly written and ungrammatical. Could this really be William Shakespeare? I decided there was a much better case to prove that De Vere was the true author of much of Shakespeare’s work; but, because of the fact that he was an aristocrat at the Court of Queen Elizabeth and a homosexual, he used Shakespeare as his “front man” at a time when anything to do with the theatre was considered low-class, rough, and tough. The theatre was banned from operating within the city limits, and no person of “class” would be seen at these entertainments.
So my conclusion is that William Shakespeare probably did not write these plays. What do you think?
I, for one, think the Stratford will tells a lot more than even many Oxfordians recognize. Bonner Miller Cutting, host of this year's North American Oxfordian conference in Houston (Nov. 5-8), has done some of the best work on this subject that I've seen -- revealing, for one, that Will Shakspere used a Protestant boilerplate template. (So much for the "secret Catholic" theory.) So much more, I suspect, remains to be uncovered as skeptical eyes re-examine that legal document that for centuries has been thought to be the Bard's.
[Creative Commons image by rpongsaj]
Friday, September 18, 2009
Nothing Truer Than A Good Cause
Today's Shakespeare Oxford Society blog features a post by Boston filmmaker Cheryl Eagan-Donovan on her feature-length documentary film project Nothing Truer Than Truth.
Eagan-Donovan, who has optioned the documentary rights to "Shakespeare" By Another Name for her film, writes:
An A-list party boy on the continental circuit, a true alpha male, Edward de Vere was a man quite unlike any other. My documentary film project, Nothing is Truer than Truth, looks at the process of writing, where life experience, imitation of the masters, and relentless revision come together to create genius, as the key to discovering Edward de Vere as the true author of the works attributed to William Shakespeare. The film will reveal de Vere’s epic life story and introduce a brilliant, troubled, charming man.
...
"With over 60 hours of footage, I have produced two fundraising trailers, and have had the great privilege of meeting some truly extraordinary and exceedingly generous people. On screen, Sir Derek Jacobi and Mark Rylance regale us with their unique portraits of the earl, and British historian Charles Bird takes the viewer on a walking tour of Castle Hedingham, home of the De Vere family since the days of William the Conqueror." ...
As a writer, I am determined to tell this story. With your support, Nothing is Truer than Truth will prove that the universal appeal of Shakespeare’s work is due to the fact that the true author was a perfectionist, a world traveler, a temperamental, tempestuous trouble-maker, and most of all, a writer.
Eagan-Donovan, who has optioned the documentary rights to "Shakespeare" By Another Name for her film, writes:
An A-list party boy on the continental circuit, a true alpha male, Edward de Vere was a man quite unlike any other. My documentary film project, Nothing is Truer than Truth, looks at the process of writing, where life experience, imitation of the masters, and relentless revision come together to create genius, as the key to discovering Edward de Vere as the true author of the works attributed to William Shakespeare. The film will reveal de Vere’s epic life story and introduce a brilliant, troubled, charming man.
...
"With over 60 hours of footage, I have produced two fundraising trailers, and have had the great privilege of meeting some truly extraordinary and exceedingly generous people. On screen, Sir Derek Jacobi and Mark Rylance regale us with their unique portraits of the earl, and British historian Charles Bird takes the viewer on a walking tour of Castle Hedingham, home of the De Vere family since the days of William the Conqueror." ...
As a writer, I am determined to tell this story. With your support, Nothing is Truer than Truth will prove that the universal appeal of Shakespeare’s work is due to the fact that the true author was a perfectionist, a world traveler, a temperamental, tempestuous trouble-maker, and most of all, a writer.
Tuesday, September 08, 2009
The Annals of Stratfordian Snark

For those who enjoy ringside view on a good row from time to time, yesterday Oliver Kamm, a financial columnist for the London Times, got into a rather snarky flame-war with some Oxfordians on his blog.
Starting off simply enough with the assertion that the Shakespeare authorship issue is "benign, if batty," Kamm gets drawn into the maelstrom and really, in so many words, loses his shit.
Oxfordian commenters call Kamm out on his factually dubious claims, and he just keeps coming back.
He writes:
"I do 'assume that Oxfordians are unscholarly cranks'. That's part of their job description. Their ... arguments bear as much relation to literary scholarship as do creationism to science and Holocaust denial to history. It's a sociological and pathological phenomenon rather than a literary one."
Credit to the Oxfordians who posted on his blog, who generally maintained a respectful and civil tone.
And credit to the unintentionally comical Mr. Kamm, who after posting nine increasingly shrill comments to his own original post, clearly enjoys having plenty more to say when he has nothing more to say.
Here's hoping we might see the defender of the Stratford faith make it toward 15 or 20 attempts at the last word. Here hear, Mr. Kamm. We suspect there's yet more nasty ad hominems and prickly appeals to authority to come.
Just, please, commenters all: Keep it polite. Let the good man dig his own hole.
POSTSCRIPT: All the fooferaw has now occasioned a bona fide Oxfordian-themed post from the Times's conspiracy lover.
POST-POSTSCRIPT (and comment bump): Author Michael Prescott ponders the larger meaning of Mr. Kamm's vituperations. Tally-ho!
Subscribe to:
Posts (Atom)
